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Harry Potter and the Prisoner of Azkaban (Original title)Harry Potter 3 (Help search title)
Dates: 2004 (Copyright), 01 November 2004 (Release)

Countries: United Kingdom, USA, Ukrainian SSR

Director: Alfonso Cuarón

Synopsis: Children's adventure. Harry Potter walks out on his guardians, the hateful Dursleys and heads for Hogwarts school with his friends Ron and Hermione, not knowing that the deadly Dementors are searching for him...

Genre:
Fantasy

Subjects:
Magic (occult), Harry Potter and the Prisoner of Azkaban (2004)
Credits (444)
©: P of A Productions Limited, Production Company: Heyday Films, Production Company: 1492 Productions, Presented by: Warner Bros., Executive Producer: Michael Barnathan, Executive Producer: Callum McDougall, Executive Producer: Tanya Seghatchian, Produced by: David Heyman, Produced by: Chris Columbus, Mark Radcliffe, Associate Producer: Paula Dupré Pesmen, Associate Producer: Chris Carreras, Unit Production Manager: Tim Lewis, Unit Manager: Steve Harvey, Production Manager: David Carrigan, Production Manager (2nd Unit): Russell Lodge, Production Co-ordinator: Judy Britten, Production Co-ordinator: Kate Garbett, Production Co-ordinator (2nd Unit): Natasha Gormley, Kate Ledger, Production Co-ordinator (2nd Unit Asst): Nathalie Haysom, Production Controller: John Trehy, Production Accountant: Gary Nixon, Location Manager: Nicholas Daubeny, Location Manager: Mark Somner, Location Manager: Robin Higgs, Location Manager: Janet Riddoch, Location Manager: Jonathan Hook, Assistant Location Manager: David O'Reilly, Location Assistant: Genevieve Faria, Location Assistant: Jenny Varley, Post-production (Supervisor): Jessie Thiele, Post-production (Co-ordinator): Katie Reynolds, Production Secretary: Vicky Bishop, 2nd Unit Director: Peter MacDonald, Assistant Director (1st): Chris Carreras, Assistant Director (Key 2nd): Robert P. Grayson, Assistant Director (2nd): Fiona Perry-richards, Michael Stevenson, Assistant Director (Co 2nd): Jane Burgess, Assistant Director (3rd): William Dodds, Assistant Director (3rd): Tom Brewster, Assistant Director (3rd): Philippa Hunt, Ali Morris, Assistant Director (Additional 3rd): Michael Michael, Assistant Director (Additional 3rd): Janette Boyle, Nick Shuttleworth, Assistant Director (2nd Unit 1st): Jamie Christopher, Assistant Director (2nd Unit 2nd): Simon Emanuel, Assistant Director (2nd Unit 3rd): Lyndsay Bullock, Script Supervisor: Annie Penn, Script Supervisor (2nd Unit): Ceri Evans Cooper, Casting: Jina Jay, Casting (Assistant): Dixie Chassay, Casting (Extras): Casting Collective Ltd, Screenplay: Steve Kloves, Based on the novel by: J.K. Rowling, Director of Photography: Michael Seresin, Additional Photography (2nd Unit): Michael Brewster, 2nd Unit Director of Photography: Peter Hannan, 2nd Unit Additional Photography: David Morgan, Aerial Cameraman (2nd Unit): John Marzano, Close Range Aerial Filming (2nd Unit): Flying-Cam Inc, Camera Operator (A): Simon Finney, Camera Operator (B): Alastair Rae, Camera Operator (2nd Unit A): Stefan Stankowski, Camera Operator (2nd Unit B): David Morgan, Steadicam: Alastair Rae, Steadicam (Additional Operator): Alf Tramontin, Steadicam (2nd Unit): Derek Walker, Wescam Technician (2nd Unit): Glyn Williams, Gaffer: Peter Bloor, Gaffer (2nd Unit): Perry Evans, Key Grip: Kenny Atherfold, Key Grip (2nd Unit): Luke Quigley, Key Grip (2nd Unit): Darren Holland, Key Grip (2nd Unit): Dave Rist, Colin Hazell, Video Co-ordinator: Bob Bridges, Video Operator: Stuart Bridges, Video Operator (2nd Unit): Dan Hartley, Video Operator (2nd Unit): Aaron Jones, Steve Petrie, Stills Photographer: Murray Close, Visual Effects Supervisor: Roger Guyett, Tim Burke, Visual Effects Producer: Theresa Corrao, Emma Norton, Visual Effects Editor: Matthew Glen, Assistant Visual Effects Editor: Wayne Smith, Visual Effects Production Manager: Lorea Hoye, Visual Effects Co-ordinator: Marion Davey, Visual Effects Co-ordinator: Richard Yeomans, Dan Barrow, Supervising Pre-visualisation Editor: Simon Burchell, Pre-visualisation Editor: Anthony Zwartouw, Joseph C. Bond Iv, Pre-visualisation Artist: Pawl Fulker, Stephen Coren, Visual Effects Matchmove Technician: Jon Brown, Paddy Kelly, Special Visual Effects/Animation: Industrial Light & Magic, The Moving Picture Company: The Moving Picture Company, Framestore-CFC: Framestore CFC, Cinesite (Europe) Limited: Cinesite (Europe) Ltd, Double Negative: Double Negative, Baseblack: Baseblack, Matte Painter: Charles Darby, Special Effects (Supervisor): John Richardson, Stephen Hamilton, Special Effects (Workshop Supervisor): Paul Stephenson, Special Effects (Floor Supervisor): Dominic Tuohy, Ian Lowe, Special Effects (Supervising Engineer): Brian Morrison, Special Effects (Supervising Engineer): David Hunter, Special Effects (Supervising Engineer): Mike Durkan, Mark Bullimore, Special Effects (Co-ordinator): Stephanie Leavitt, Special Effects (Senior Technician): Peter Aston, Special Effects (Senior Technician): Trevor Butterfield, Special Effects (Senior Technician): Anton Prickett, Special Effects (Senior Technician): Barry Whitrod, Special Effects (Senior Technician): Nigel Brackley, Special Effects (Senior Technician): Frank Guiney, Special Effects (Senior Technician): Paul Taylor, Special Effects (Senior Technician): Paul Whybrow, Special Effects (Senior Technician): Terry Bridle, Special Effects (Senior Technician): Peter Pickering, Jamie Thomas, Special Effects (Technician): John Cramman, Special Effects (Technician): Chris Giles, Special Effects (Technician): Noah Meddings, Special Effects (Technician): Marcus Richardson, Special Effects (Technician): Demi Demetriou, Special Effects (Technician): Matt Harlow, Special Effects (Technician): Lee Phelan, Special Effects (Technician): Phoebe Tait, Special Effects (Technician): Ronnie Durkan, Special Effects (Technician): Patrick Johnson, Special Effects (Technician): Ben Philips, Kevin Wescott, Special Effects (Engineer): Darren Litten, Nick Thompson, Special Effects (2nd Unit Floor Suprvsr): Digby Milner, Martin Neill, Special Effects (2nd Unit Sr Technician): Tony Phelan, Special Effects (2nd Unit Technician): Ceri Nicholls, Special Effects (2nd Unit Technician): Luke Murphy, Nick Joscelyne, Wire Effects Co-ordinator: Kevin Welch, Wire Effects Technician: Alan Perez, Supervising Modeller: Pierre Bohanna, Mark Woollard, Senior Modeller: John Weller, Adrian Getley, Miniature Construction/Photography: Cinesite (Europe) Ltd, Cin (Model Unit Supervisor): José Granell, Cin (Executive Producer): Anthony Hunt, Cin (Model Unit Producer): Brenda Coxon, Cin (Director of Photography): Nigel Stone, Cin (Model Workshop Supervisor): Nigel Travessey, Cin (Model Unit 1st Assistant): David Pearson, Cin (Gaffer): John Rogers, Cin (HOD Rigger): Danny Webster, Cin (Senior Modeller): Archie Kennedy, Cin (Senior Modeller): Doug Bishop, Cin (Senior Modeller): Rob Dunbar, Cin (Senior Modeller): Chris Hepple, Cin (Senior Modeller): Greg Horswill, Cin (Senior Modeller): Ian Mcwilliams, John Murphy, Cin (Senior Painter): Steve Adamson, Graphic Artist: Miraphora Caruso, Eduardo Lima, Décor/Lettering Artist: Steven Hedinger, Francis Martin, Motion Control Supervisor: Chris Shaw, Motion Control Cameras: The VFX Co. Ltd., VFX Co (Motion Control Cameras): Rob Delicata, VFX Co (Motion Control Cameras): Yan Hammond, VFX Co (Motion Control Cameras): Jay Mallet, VFX Co (Motion Control Cameras): Ray Moody, VFX Co (Motion Control Cameras): Digna Nigoumi, VFX Co (Motion Control Cameras): George Theophanous, Malcolm Wooldridge, Edited by: Steven Weisberg, Additional Editor: Joseph C. Bond Iv, Associate Editor: William Kruzykowski, Associate Editor: Alexandro Rodríguez, 1st Assistant Editor: Julian Pryce, 1st Assistant Editor: Mark Sale, Emma Gaffney, 2nd Assistant Editor: Tobias Lloyd, Tom Kemplen, Production Designer: Stuart Craig, Supervising Art Director: Neil Lamont, Senior Art Director: Andrew Ackland-Snow, Art Director: Steven Lawrence, Art Director: Alan Gilmore, Art Director: Gary Tomkins, Art Director: Alex Walker, Art Department Co-ordinator: Jodie Jackman, Assistant Art Director: Dominic Masters, Assistant Art Director: Al Bullock, Assistant Art Director: Mark Bartholomew, Assistant Art Director: Peter Dorme, Assistant Art Director: Martin Foley, Assistant Art Director: Stephen Swain, Assistant Art Director: Frederic Evard, Set Decorator: Stephenie McMillan, Assistant Set Decorator: Lee Sandales, Conceptual Artist: Dermot Power, Conceptual Artist: Robert Bliss, Conceptual Artist: Adam Brockbank, Conceptual Artist: Andrew Williamson, Conceptual Artist: Dave McKean, Conceptual Artist: Andrej Dugin, Conceptual Artist: Olga Dugin, Concept Artist: Wayne Barlowe, Draughtsman: Emma Vane, Draughtsman: Molly Hughes, Draughtsman: Julia Dehoff, Draughtsman: Ruth Winick, Jordan Crockett, Head Scenic Artist: Steven Sallybanks, Marcus Williams, Scenic Artist: Matt Walker, Storyboard Artist: Jane Clark, Storyboard Artist: Denis Rich, Storyboard Artist: Temple Clark, Storyboard Artist: Nicholas Pelham, Storyboard Artist: Andrej Kostic, Sculptor: Andrew Holder, Sculptor: Bryn Court, Keith Short, Production Buyer: Deborah Stokely, Assistant Production Buyer: Tamazin Simmons, Drapesmaster: Gary Handley, Property Master: Barry Wilkinson, Assistant Property Master: Jamie Wilkinson, Construction Manager: Paul Hayes, Assistant Construction Manager: David Wescott, Construction Co-ordinator: Amanda Pettett, Nicola Short, Costumes Designer: Jany Temime, Assistant Costume Designer: Françoise Fourcade, Assistant Costume Designer: Vivienne Jones, Guy Speranza, Costume Supervisor: David Crossman, Costume Illustrator: Laurent Guinci, Costume: William Steggle, Dave Evans, Costumier: Dominic Young, Costumier: Steve Gell, Costumier: Jools Feedham, Costumier: Margot Forster, Costumier: Rosy Coppola, Costumier: Linda Lashley, Costumier: Pernilla Lindfors, Costumier: Barbara Ohren, Costumier: Marcia Smith, Rachel Turner, Costume Co-ordinator: Maggie Walsh, Wardrobe Supervisor: Charlotte Finlay, Wardrobe Mistress: Victoria Clark, Wardrobe Master: Neil Murphy, Wardrobe Master (2nd Unit): Tom Homsby, Wardrobe Assistant: Laurent Guinci, Make-up Designer: Amanda Knight, Make-up Artist: Jane Royle, Make-up Artist: Clare Le Vesconte, Sharon Nicholas, Make-up (2nd Unit): Norma Webb, Facial Hair Maker: Sarah Weatherburn, Teeth Supplied by: Chris Lyons, Creature/Make-up Effects Designer: Nick Dudman, Supervising Animatronic Model Designer: Chris Barton, Gary Pollard, Make-up/Creature Effects Co-ordinator: Lyn Nicholson, Key Animatronic Model Designer: Val Jones-mendoza, Key Animatronic Model Designer: Mark Coulier, Key Animatronic Model Designer: Paul Spateri, Key Animatronic Model Designer: Tacy Kneale, Guy Stevens, Animatronic Fabrication Supervisor: Day Murch, Animatronic Mouldmaking Supervisor: Barry Fowler, Make-up/Creature Effects Buyer: John Lambert, [Animatronic] Sculptor: Julian Murray, [Animatronic] Sculptor: Barrie Gower, [Animatronic] Sculptor: Rick Northcroft, Simon Webber, Animatronic Model Designer: Astrig Akseralian, Animatronic Model Designer: Joe Scott, Animatronic Model Designer: Josh Lee, Animatronic Model Designer: Tamzine Hanks, Animatronic Model Designer: Anne Cartwright, Animatronic Model Designer: Malcolm Evans, Animatronic Model Designer: Andy Fraser, Animatronic Model Designer: Kate Hill, Animatronic Model Designer: Mark Hunter, Animatronic Model Designer: Jonathan Klahr, Animatronic Model Designer: Diane Nicholson, Animatronic Model Designer: Steve Onions, Animatronic Model Designer: Bobbi Roberts, Animatronic Model Designer: Annabel Tait, Animatronic Model Designer: Andy Lee, Animatronic Model Designer: Simon Williams, Animatronic Model Designer: Steve Wright, Animatronic Model Designer: Phil Ashton, Animatronic Model Designer: Sarah Brunsdon, Animatronic Model Designer: Elaine Cartwright, Animatronic Model Designer: Christopher Fitzgerald, Animatronic Model Designer: Shaune Harrison, Animatronic Model Designer: Andrea Hochgatterer, Animatronic Model Designer: Clare Inglis, Animatronic Model Designer: Esteban Mendoza, Animatronic Model Designer: Tracey O'brien, Animatronic Model Designer: Jason Reed, Animatronic Model Designer: Henrik Svensson, Animatronic Model Designer: Jeni Walker, Animatronic Model Designer: Waldo Mason, Animatronic Model Designer: Matt Denton, Animatronic Model Designer: Adam Wright, Animatronic Model Designer: Jimmy Sandys, Animatronic Model Designer: Melissa Lenihan, Animatronic Model Designer: Nicola Buck, Animatronic Model Designer: Viola Colditz, Animatronic Model Designer: Catherine Fleming, Animatronic Model Designer: Alix Harwood, Animatronic Model Designer: Andy Hunt, Animatronic Model Designer: Abbie Jones, Animatronic Model Designer: Stephen Murphy, Animatronic Model Designer: Aiden O'Keefe, Animatronic Model Designer: Andy Roberts, Animatronic Model Designer: Maria Swindell, Tom Blake, Creature Hairdresser: Julian Ibbitson, Fabricator: David Cantwell, Fabricator: Harriet Lyons, Fabricator: Joe Glover, Fabricator: Janet Burns, Tina Foster, Animatronic Mould Maker: Barry Best, Animatronic Mould Maker: Martyn Fowler, Animatronic Mould Maker: Rajeeve Mariathasan, Animatronic Mould Maker: Helen Wilson, Animatronic Mould Maker: Jimmy Bernardinis, Animatronic Mould Maker: Rod Hamlin, Animatronic Mould Maker: Magdalena Nilsson, Animatronic Mould Maker: Keith Wilson, Animatronic Mould Maker: Mel Coleman, Animatronic Mould Maker: Chris Kearey, Terry Sibley, [Animatronic] Workshop Maintenance: Steve Lowen, Underwater Puppetry Consultant: Basil Twist, Creature Reference Performer: Marnix van der Broeke, Spencer Wilding, Chief Hairdresser/Designer: Eithné Fennell, Hairdresser: Tracey Wells, Hairdresser: Zoe Tahir, Betty Glasow, Wig Maker: Alex Rouse, Hair/Make-up: Elizabeth Lewis, Hair (2nd Unit): Andrea Finch, End Title Sequence: Capital FX (London), Main Title: The Moving Picture Company, Supervising Digital Colourist: Peter Doyle, Lead Colourist: Melissa Kangleon, Tech Ops Supervisor: Grace Lan, Technical Officer: Joe Connellan, DI Scanning/Recording: Lipsynch, Visual Effects Scanning: Cinesite (Europe) Ltd, Music: John Williams, Early Music Instruments: The Dufay Collective, Chorus: London Voices, Children's Choir: The London Oratory School Schola, "Double Trouble" includes performance by: London Sinfonietta, Orchestra Concertmistress: Marcia Crayford, Chorus Master: Terry Edwards, [London Oratory School] Choir Master: Stephen Grahl, Orchestrations: Conrad Pope, Orchestrations: Eddie Karam, Music Editor: Ken Wannberg, Music Editor: Peter Myles, Music Scoring Mixer: Shawn Murphy, Sound Designer: Richard Beggs, Production Sound Mixer: John Midgley, Sound Mixer (2nd Unit): Timothy Blackham, Boom Operator: June Prinz, Boom Operator (2nd Unit): John Samworth, Re-recording Mixer: Mike Prestwood Smith, Re-recording Mixer: Matthew Gough, Michael Semanick, Co-supervising Sound Editor: Richard Beggs, David Evans, Dialogue Editor: Stefan Henrix, Sound Effects Editor: Andy Kennedy, Sound Effects Editor: Bjørn Ole Schroeder, Sound Effects Editor: Sam Southwick, ADR Editor: Nick Lowe, Foley Artist: Andi Derrick, Foley Artist: Peter Burgis, Foley Mixer: Edward Colyer, Foley Mixer: David Tyler, Supervising Foley Editor: Derek Trigg, Foley Editor: Stuart Morton, Stunt Co-ordinator: Greg Powell, Stunts: Martin Bayfield, Stunts: David Holmes, Stunts: Paul Herbert, Stunts: Bradley Farmer, Stunts: Emma Mac, Stunts: Gary Powell, Stunts: Mark Lisbon, Stunts: Andy Smart, Stunts: Kelly Dent, Stunts: Marc Mailley, Stunts: Tolga Kenan, Stunts: David Lewis, Stunts: Rickie Hubbucks, Stunts: Anthony Knight, Stunts: Felicity Walker, Stunts: Claire Skelton, Stunts: Abigail Letchford, Stunts: Jo Thompson, Stunts: Joanna Whitney, Archivist: Chris Lunney, Specialist Researcher: Celia Barnett, Physical Magic Consultant: Paul Kieve, Creature Movement Consultant: Ailsa Berk, Production Consultants: Poster Pictures, Dialogue Coach: Sandra Frieze, Animals Supervisor: Gary Gero, Animals by: Birds and Animals Unlimited, Head [Animal] Trainer: Julie Tottman, Dave Sousa, Animal Trainer: Susan Humphrey, Animal Trainer: Jim Warren, Animal Trainer: Antony Bloom, Pilot/Aerial Co-ordinator (2nd Unit): Marc Wolff, Unit Publicist: Vanessa Davies, Studio: Shepperton Studios, Studio: Leavesden Studios
Cast (54)
Daniel Radcliffe (Harry Potter), Rupert Grint (Ron Weasley), Emma Watson (Hermione Granger), Julie Christie (Madame Rosmerta), Robbie Coltrane (Rubeus Hagrid), Michael Gambon (Albus Dumbledore), Richard Griffiths (Uncle Vernon), Gary Oldman (Sirius Black), Alan Rickman (Professor Severus Snape), Fiona Shaw (Aunt Petunia), Maggie Smith (Professor Minerva McGonagall), Timothy Spall (Peter Pettigrew), David Thewlis (Professor Remus Lupin), Emma Thompson (Professor Sibyll Trelawney), Julie Walters (Mrs Molly Weasley), Mark Williams (Mr Arthur Weasley), Pam Ferris (Aunt Marge), Harry Melling (Dudley Dursley), Adrian Rawlins (James Potter), Geraldine Somerville (Lily Potter), Lee Ingleby (Stan Shunpike, Knight Bus conductor), Lenny Henry (shrunken head), Jimmy Gardner (Ernie, Knight Bus driver), Jim Tavaré (Tom, Leaky Cauldron innkeeper), Robert Hardy (Cornelius Fudge, Minister for Magic), Abby Ford (young witch maid), Oliver Phelps (George Weasley), James Phelps (Fred Weasley), Chris Rankin (Percy Weasley), Bonnie Wright (Ginny Weasley), Devon Murray (Seamus Finnegan), Warwick Davis (wizard), David Bradley (Argus Filch), Matthew Lewis (Neville Longbottom), Sitara Shah (Parvati Patel), Jennifer Smith (Lavender Brown), Tom Felton (Draco Malfoy), Bronson Webb (Slytherin boy), Josh Herdman (Gregory Goyle), Genevieve Gaunt (Pansy Parkinson), Kandice Morris (girl 1), Alfred Enoch (Dean Thomas), Dawn French (fat lady in painting), Annalisa Bugliani (mother in portrait), Tess Bu Cuarón (baby in portrait), Violet Columbus (girl with flowers), Paul Whitehouse (Sir Cadogan), Ekow Quartey (boy 1), Rick Sahota (boy 2), Jamie Waylett (Vincent Crabbe), Sharon Sandhu (girl 2), Danielle Tabor (Angelina Johnson), Freddie Davies (old man in portrait), Peter Best (the executioner)
Articles held in BFI Reuben Library (46)
In: Empire n242 August 2009  Pages: 117-122
Title: In conversation with Daniel RadcliffeAuthor: RICHARDS, Olly Article type: ArticleLanguage: English
Description: Profile and interview with actor Danile Radcliffe about his career, in particular his role as Harry Potter and his plans once the film series finishes.

In: Empire n246 December 2009  Pages: 128-129
Title: Icons of the decade: Harry PotterAuthor: RICHARDS, Olly Article type: ArticleLanguage: English
Description: Profiles iconic fictional film characters from the 1990s onwards as voted by the readers of 'Empire' magazine. Daniel Radcliffe discusses his ten years in the role of Harry Potter.

In: StarBurst n361 April 2008  Pages: 40-42
Title: Magic RealismAuthor: PAYNE, Stephen Article type: InterviewLanguage: English
Description: Special Effects Supervisor John Richardson talks about working on the HARRY POTTER films.

In: Empire n218 August 2007  Pages: 129-133
Title: In conversation with Gary OldmanAuthor: LAWRENCE, Will Article type: InterviewLanguage: English
Description: Gary Oldman discusses his movie career and life, especially playing rogues or misfits, and how it feels to now work on t he HARRY POTTER and Christoper Nolan BATMAN films. Includes a top five listing of Oldman's screen performances.

In: Film and History v35 n1 2005  Pages: 65-67
Title: Film Reviews: The Prisoner of Azkaban: A New Direction for..Author: LANE, Cara Article type: ReviewLanguage: English
Description: "...Harry Potter".

In: Screen International vSpec. nBAFTA Film Awards 2004  Page: [whole issue]
Title: The BAFTAS 2004Article type: ArticleLanguage: English
Description: Features articles offering an overview on the BAFTA organisa -tion and examining the impact of its pre-Oscar slot on the US box office. Includes an assessment of 25 British front- runners for the awards.

In: Creative Screenwriting v12 n6 Nov/Dec 2005  Pages: [52]-55
Title: Four years at HogwartsAuthor: CHUMO II, Peter N. Article type: ArticleLanguage: English
Description: Screenwriter Steve Kloves discusses his work on the first four Harry Potter films, and coments on his future plans.

In: Film Score Monthly v10 n1 Jan/Feb 2005  Pages: 15-17
Title: FSM's Annual Best & Worst Awards: The Hits...and MissesAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Lighthearted selection of the best and worst soundtracks of 2005.

In: Film Score Monthly v10 n1 Jan/Feb 2005  Pages: 20-22
Title: FSM's Annual Best & Worst Awards: The Best of the YearAuthor: ADAMS, Doug Article type: ArticleLanguage: English
Description: The writer chooses his favourite film scores of 2005.

In: Radio Times 27 Aug 2005  Page: 39
Title: Films of the Week.Author: COLLINS, Andrew Article type: ReviewLanguage: English

In: Screen Digest n411 December 2005  Pages: 365-369
Title: Closing the Global Release GapArticle type: ArticleLanguage: English
Description: Analyses the narrowing time period between when a feature film is released internationally and its release on DVD. In- cludes case studies of various contemporary film franchises and studios.

In: StarBurst n318 January 2005  Page: 103
Title: DVD reviewsAuthor: HOULDSWORTH, Richard Article type: DVD ReviewLanguage: English

In: Cinefex n99 October 2004  Pages: 43-50,54-64
Title: Something wicked this way comesAuthor: FORDHAM, Joe Article type: ArticleLanguage: English
Description: Detailed description of the various special visual effects used in Cuarón's HARRY POTTER AND THE PRISONER OF AZKABAN by The Moving Picture Company, Cinesite, Framestore CFC, Double Negative and Industrial Light & Magic.

In: StarBurst vSpec. n64 Enterprise  Pages: 14-29
Title: The return of Harry PotterAuthor: DEXTER, Steve Article type: ArticleLanguage: English
Description: Cast and crew talk about making HARRY POTTER AND THE PRISONER OF AZKABAN.

In: Screen International n1435 9 Jan 2004  Page: 2
Title: News in brief: Warner potty for ImaxArticle type: NoteLanguage: English
Description: HARRY POTTER AND THE PRISONER OF AZKABAN will be released by Warner Bros on Imax screens as well as the conventional theatrical release in June 2004.

In: Screen International vSpec. nOscars The Films 2004  Page: [whole issue]
Title: And the Oscar goes to...Author: HALLIGAN, Fionnuala Article type: ArticleLanguage: English
Description: A look at the contenders for the 2004 Oscars.

In: American Cinematographer v85 n6 June 2004  Pages: 32-36,38,40-43
Title: A Wizard Comes of AgeAuthor: THOMSON, Patricia Article type: ArticleLanguage: English
Description: An article about the cinematographer Michael Seresin, in particular his work on HARRY POTTER AND THE PRISONER OF AZKABAN. Includes production and technical details.

In: Cinefantastique v36 n3 Jun/Jul 2004  Pages: 28-31,33
Title: Magic manAuthor: GROSS, Edward Article type: ArticleLanguage: English
Description: Alfonso Cuaron talks about making HARRY POTTER AND THE PRISONER OF AZKABAN.

In: Cinefantastique v36 n3 Jun/Jul 2004  Page: 31
Title: Potter comes of ageAuthor: GROSS, Edward Article type: ArticleLanguage: English
Description: Daniel Radcliffe talks about making HARRY POTTER AND THE PRISONER OF AZKABAN.

In: Cinefantastique v36 n3 Jun/Jul 2004  Pages: 32-33
Title: The realm of RowlingAuthor: ALTMAN, Ira Article type: ArticleLanguage: English
Description: Compares the Harry Potter books to the films.

In: Premiere v17 n9 June 2004  Page: 24
Title: PreviewsArticle type: PreviewLanguage: English

In: Premiere v17 n9 June 2004  Pages: 86-89
Title: When Harry met AlfonsoAuthor: SALISBURY, Mark Article type: InterviewLanguage: English
Description: An interview with director Alfonso Cuarón who discusses why he chose to make HARRY POTTER AND THE PRISONER OF AZKABAN, referring to his collaboration with J.K.Rowling and with Daniel Radcliffe, Rupert Grint, and Emma Watson.

In: Premiere n328 June 2004  Page: 42
Title: Cahier critiqueAuthor: LOUSTALOT, Ghislain Article type: CreditsLanguage: French

In: Screen International n1456 11 Jun 2004  Page: 6
Title: In focus: Potter conjures up international triumphArticle type: ArticleLanguage: English
Description: Global box office details for HARRY POTTER AND THE PRISONER OF AZKABAN.

In: Sight and Sound v14 n8 August 2004  Pages: 51-52,54
Title: ReviewsAuthor: WILSON, Vicky Article type: CreditsLanguage: English

In: Film Score Monthly v9 n5 June 2004  Pages: 30-31
Title: Score: reviews of CDsAuthor: TAKIS, John Article type: Soundtrack ReviewLanguage: English

In: Screen International n1455 4 Jun 2004  Page: 16
Title: ReviewsAuthor: GOODRIDGE, Mike Article type: CreditsLanguage: English

In: Screen International n1455 4 Jun 2004  Page: 2
Title: This week's top stories: wizard opening for HarryArticle type: NoteLanguage: English
Description: HARRY POTTER AND THE PRISONER OF AZKABAN had the biggest UK box office opening day of all time making $9.2m from 535 locations.

In: Film Review n645 Summer 2004  Pages: 58-66
Title: A darker path...Author: BRETT, Anwar Article type: InterviewLanguage: English
Description: Alfonso Cuarón discusses his decision to become involved in the Harry Potter movie franchise with HARRY POTTER AND THE PRISONER OF AZKABAN.

In: StarBurst n313 August 2004  Page: 82
Title: Reviews: new moviesAuthor: JONES, Alan Article type: ReviewLanguage: English

In: Empire n186 December 2004  Page: 168
Title: HARRY POTTER AND THE PRISONER OF AZKABANAuthor: JOLIN, Dan Article type: DVD ReviewLanguage: English
Description: Includes a very brief interview with Robbie Coltrane.

In: StarBurst n312 July 2004  Pages: 36-41
Title: All aboard the magic busAuthor: SPELLING, Ian Article type: ArticleLanguage: English
Description: Stuart Craig talks about his work as Production Designer on HARRY POTTER AND THE PRISONER OF AZKABAN.

In: Music from the Movies n43 2004  Page: 57
Title: Film Music Review: New FilmsAuthor: McGANN, Kevin Article type: Soundtrack ReviewLanguage: English
Description: Soundtrack review for HARRY POTTER AND THE PRISONER OF AZKABAN.

In: Empire n181 July 2004  Pages: 104-107
Title: Rites of passageAuthor: Nathan, IanArticle type: ArticleLanguage: English
Description: Special feature on HARRY POTTER AND THE PRISONER OF AZKABAN, including an interview with director Alfonso Cuarón on his approach to the film, and an interview with Gary Oldman on playing the role of Sirius.

In: Empire n182 August 2004  Page: 29
Title: Now showingAuthor: KENNEDY, Colin Article type: CreditsLanguage: English

In: Cinefantastique v36 n4 Aug/Sep 2004  Page: 55
Title: In review: film in briefAuthor: JORDAN, Sean Article type: ReviewLanguage: English

In: Film Review n646 July 2004  Page: 105
Title: New moviesAuthor: JONES, Alan Article type: CreditsLanguage: English

In: Premiere v17 n8 May 2004  Page: 54
Title: The ultimate summer movie previewAuthor: BORGESON, Kelly [et al...] Article type: PreviewLanguage: English

In: Film Review vSpec. n52 Spiderman  Page: 106
Title: ReviewsAuthor: JONES, Alan Article type: CreditsLanguage: English

In: Empire n180 June 2004  Page: 14
Title: Coming soonArticle type: PreviewLanguage: English

In: Film-Echo/Filmwoche n23 5 Jun 2004  Page: 42
Title: Markt: filmkritikenAuthor: DOCKHORN, Katharina Article type: CreditsLanguage: German

In: Screen International n1395 7 Mar 2003  Page: 35
Title: [Screen International - n1395 7 Mar 2003: no known title]Article type: CreditsLanguage: English

In: StarBurst n294 January 2003  Pages: 46-49
Title: Riddled with Evil...Article type: ArticleLanguage: English
Description: HARRY POTTER AND THE CHAMBER OF SECRETS prod. David Heyman gives his thoughts on mediocre reviews for SORCERER'S STONE, & discusses the choice of the director for The PRISONER OF AZKABAN. Includes comments from Radcliffe, Watson and Grint. /

In: Film News July 2003  Page: UK & Ireland In Production section
Title: In ProductionArticle type: CreditsLanguage: English

In: StarBurst vSpec n61 Yearbook 2003  Pages: 104-112,114-119
Title: Into 2004Author: RICHARDSON, David Article type: ArticleLanguage: English
Description: Looks ahead to the science fiction films of 2004.

In: StarBurst n293 December 2002  Page: 8
Title: Potter kids to stay, or go?Author: ROBSON, Eddie Article type: ArticleLanguage: English
Description: Highlights the long-term future of the Harry Potter cast.


Books held in BFI Reuben Library (3)
Title: Harry Potter
Author: Frankel, Valerie Estelle  Pages: 235 pages

Title: Transforming Harry: the adaptation of Harry Potter in the transmedia age
Author: ALBERTI, John  Pages: x, 202 pages

Title: Harry Potter: page to screen: the complete filmmaking journey
Author: McCABE, Bob  Pages: 531 pages


Film, Video or Digital materials held in BFI National Archive(4)
Film materials(4)
Description: DTS DiscBFI identifier: C-1374424
Status: Status pending - Material requires inspection to determine preservation or access status


Description: DTS DiscBFI identifier: C-1374426
Status: Status pending - Material requires inspection to determine preservation or access status


Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-1374416
Status: Status pending - Material requires inspection to determine preservation or access status


Description: 35mm Colour PositiveBase: SafetySound: CombinedBFI identifier: C-1374425
Status: Status pending - Material requires inspection to determine preservation or access status